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All the time i see on this forum cats who play tenor primarily, strongly double alto (sometimes those two are switched) and then tertiary-ily (I made that word up) soprano and bari.
When I started playing I came from bass clarinet as a young concert band kid into my first year of jazz playing bari. That was logically probably not a great move but I clawed my ass up through an incredibly busted horn AND never even playing a saxophone before, to beating out the upperclassman in a chair test in a couple of months.
I’ve enjoyed every single second of playing the big horn and even at my lowest moments where I feel not good about myself I know I’m improving quite well in the grand scheme of things.
I have no want to play anything else. Even in my bass clarinet playing I just don’t really want to anymore. The biggest thing about playing multiple instruments for me is that you have to split up your time, and I hate that. I guess I feel very hyper fixated and laser focused. Is that okay? I know I’ll miss out on a lot of paying gigs when I’m older because I only offer one very specific saxophonic (I made that word up too) service, but does that make me a bad reedman? Is it supposed to be an integral part of the sax experience to play all the saxes, and even many other woodwinds?
Thanks for reading another essay, I love the barebones truth and community this website offers! : D
 

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Your path sounds like mine, except 50 years ago :). I have never had much interest in the other saxes. I can play them all reasonably well, and soprano clarinet, and flute, but my primary instruments are bari and bass clarinet and always have been. It's limited my opportunities over time, but it's what I like and what I'm good at. It's a specific role and mindset, and not everyone can live there.
 

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I probably know more pros who focus on one horn only than play several. (Or at least know an equal number of each type of musician.) It’s certainly a popular way to go. Totally depends on the person and their approach to music. Always remember this is an art and deeply individual. Follow your bliss!
 

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Play the baritone. If/once you get the inkling to play a different saxophone, you will be in a good shape to do that, embouchure and voicing differences notwithstanding. You might get the inkling to play the bass saxophone, too.
Or the bass (upright/electric) for that matter. I can think of a few bass players I know who play bari too rather than guitar, which you might think they would want to.
 
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