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Discussion Starter · #1 ·
Im trying to figure out how he so smoothly goes into altissimo g from the lower register. I'm not the best with altissimo but i can play just about every note in the range and still cant manage to smoothly gliss into the altissimo register. Any help is appreciated!

if you go to minute 4:05 you'll see what im talking about

 

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Not hard if you can play an altissimo F#3 with octave, front F, RH 1, Side Bb. Just do a glissando up to F#3 that way and at the very end, let go of RH 1 to get G3. The kid doesn't quite do it that way. Think he might be using the high F# key to get G3; and only hits the front F to get above it.
 

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“I play sax but mostly it plays me”
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Ive seen this kid's videos before and his tone is perfect and he clearly understands the smooth jazz genre
 

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That *should* be G, not G#. G# is everything as above, but side C instead of side Bb.
Agreed. I can't imagine a G# being produced with xox xoo + side Bb
 

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That *should* be G, not G#. G# is everything as above, but side C instead of side Bb.
Altissimo fingerings are relative. It's how you blow. Players use all sorts of combinations to get those notes above F#3, and can even alter their fingerings depending on what particular horn they're using. Nothing is set in stone up there.
 

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Altissimo fingerings are relative. It's how you blow. Players use all sorts of combinations to get those notes above F#3, and can even alter their fingerings depending on what particular horn they're using. Nothing is set in stone up there.
Agreed. It can (and often does) vary from horn to horn.....certainly more so with tenor. However, EVERY alto I've ever played reflects the fingerings for altissimo G and G# as I mentioned above. Yeah, weird but that's my story. ;-)
 

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Discussion Starter · #16 ·
Agreed. It can (and often does) vary from horn to horn.....certainly more so with tenor. However, EVERY alto I've ever played reflects the fingerings for altissimo G and G# as I mentioned above. Yeah, weird but that's my story. ;-)
yes you're correct it plays a G i was using the middle side key which give me a better controlled g#
 

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It’s nearly 3:00am local time, it’s a fast line, youtube is a pain, and my ears might not be working correctly...but I wouldn’t consider that a glissando (a continuous slide between two notes). It sounds like a clearly defined 5,6,1,2,3 C major pentatonic run starting on G above the staff. The middle line Bb starts the ritard into two sixteenths (g, a) followed by a 32nd note triplet (c,d,e) ending on the high G fingered OlXOXlOXO. There’s a short lipped portamento into the G (bends slightly into it) and he dismounts moving 4,3,2, etc. that G fingering might be my new favorite for alto. I also think the line sounds better if the G is hit cleanly, but please don’t take my personal preference as any sort of knock on this dude. He sounds fantastic! Definitely going to try that G fingering on tenor tomorrow.
Somebody please fix me if I’m wrong on how I’m hearing it or my proposed fingerings, as it was difficult for me to hear such a short and fast line on a tune I’d never heard before seeing this thread and commenting.
 

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This kid is really good, but man oh MAN do I hate me some smooth jazz......
The only thing I really hate about "smooth jazz" is the nomenclature.

The kid is indeed very good, and is skillfully playing a faithful cover of a pop tune by Bruno Mars, who is himself a very talented pop/R&B artist.

How does this turn what this kid is playing into "smooth jazz"?
 
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