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Agree with John. The best way to use pattern books is like how the Jerry Coker books are laid out, although I'm not the biggest fan of his. Figure it out in one key, understand what's going on, and then put in all keys from your head. Reading it in all keys instead tends to take some off the emphasis of your ear, the exact thing you need to develop for improvisation.
This is the way I've been taught to use it: look at it, understand the pattern, and then close the book and play it. If you really understand it, you shouldn't need to look at it, and if you're looking at it, you're not training your ear.
 
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