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495 Posts
Given some of the (by now) predictable "back and forth" regarding issues of mouthpiece and saxophone material (or myriad other related issues discussed at SOTW) I wonder if there's a way to cut through some of the static and better understand why we believe some of the things we believe in. I'm not looking to rehash the pros and cons of materials, I'm looking to discuss the reasons (sometimes understandable, sometimes not) why people believe the things they do. It's not just students and neophytes who believe these things and until we address that I'm not sure how the discussion moves forward.
The way I see it, there aren't all that many people who are in a position to back up any claims one way or another, at least in terms that most players can understand. Most saxophonists cannot decipher Benade studies nor do they understand basic saxophone acoustics. Any many are not even sure exactly how these studies apply to the saxophone. So how are us laypeople supposed to decide what's what? If we don't understand the texts and physics then we are left to rely on experts. But that also leaves us at a loss since there is nothing of a consensus among mouthpiece and instrument makers. The acousticians seem to have their tussles as well (at least from what I've seen here). Which proves nothing either way. Hence the problem.
The usual marketing BS aside, there are some well respected craftsmen (and musicians) who assert that materials do make a difference. And they are going to influence the discussion, rightly or wrongly. It's one thing to say that someone like Frank Morgan (who wrote on this subject) was not infallible but he must have believed strongly in that position. And I'd love to know why. And so would many other players (I assume). Again, not looking to argue the pros or cons about Mr. Morgan or his position, just saying, how do we respond to posters who will use that article in asserting their own position? Do we quote books and studies that they will not understand? That doesn't seem to work. It may only serve to reinforce their belief. So I think it's understandable why people might be inclined to feel one way or another when they have little true understanding to base a position on. Playing the horn, as we all know, is very personal and as such this can get touchy. Players feel the horn vibrate and assume this must have an effect on the sound. Simply telling them it doesn't may not be enough.
Personally, I've experienced nothing to lead me to think materials matter much if at all. But that's purely anecdotal. I might be right or I might be wrong. I'm pretty sure I'm right. What I've read about the air column and bore taper seems convincing. The point is, I really don't know for sure. And I suspect that of those who say they do, many are simply adopting a line that they really don't fully understand either. I've seen posters get written off immediately for bringing these questions up. Sure, some of these posters are making assertions that they can't possibly know. But again, this mythology runs deep and wide in our community of players and instrument makers. So it's understandable that this will continue to come up again and again.
I'm not sure what I really have to offer on this. I'm not trying to be pollyanna or leave this fuzzy. I'm actually looking for clarity. But I don't think we'll get there unless we are willing to understand why people come to this forum with some of the ideas they have. And I think we all have to be willing to question our beliefs. Not because they should necessarily change (although they might) but because maybe we'll each come to an even better understanding of what we are doing.
The way I see it, there aren't all that many people who are in a position to back up any claims one way or another, at least in terms that most players can understand. Most saxophonists cannot decipher Benade studies nor do they understand basic saxophone acoustics. Any many are not even sure exactly how these studies apply to the saxophone. So how are us laypeople supposed to decide what's what? If we don't understand the texts and physics then we are left to rely on experts. But that also leaves us at a loss since there is nothing of a consensus among mouthpiece and instrument makers. The acousticians seem to have their tussles as well (at least from what I've seen here). Which proves nothing either way. Hence the problem.
The usual marketing BS aside, there are some well respected craftsmen (and musicians) who assert that materials do make a difference. And they are going to influence the discussion, rightly or wrongly. It's one thing to say that someone like Frank Morgan (who wrote on this subject) was not infallible but he must have believed strongly in that position. And I'd love to know why. And so would many other players (I assume). Again, not looking to argue the pros or cons about Mr. Morgan or his position, just saying, how do we respond to posters who will use that article in asserting their own position? Do we quote books and studies that they will not understand? That doesn't seem to work. It may only serve to reinforce their belief. So I think it's understandable why people might be inclined to feel one way or another when they have little true understanding to base a position on. Playing the horn, as we all know, is very personal and as such this can get touchy. Players feel the horn vibrate and assume this must have an effect on the sound. Simply telling them it doesn't may not be enough.
Personally, I've experienced nothing to lead me to think materials matter much if at all. But that's purely anecdotal. I might be right or I might be wrong. I'm pretty sure I'm right. What I've read about the air column and bore taper seems convincing. The point is, I really don't know for sure. And I suspect that of those who say they do, many are simply adopting a line that they really don't fully understand either. I've seen posters get written off immediately for bringing these questions up. Sure, some of these posters are making assertions that they can't possibly know. But again, this mythology runs deep and wide in our community of players and instrument makers. So it's understandable that this will continue to come up again and again.
I'm not sure what I really have to offer on this. I'm not trying to be pollyanna or leave this fuzzy. I'm actually looking for clarity. But I don't think we'll get there unless we are willing to understand why people come to this forum with some of the ideas they have. And I think we all have to be willing to question our beliefs. Not because they should necessarily change (although they might) but because maybe we'll each come to an even better understanding of what we are doing.