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Discussion Starter · #1 ·
Hi! I'm sorry if this post is in the wrong section; I've been a long time lurker of these forums but just recently joined.

I'm looking into buying a new metal mouthpiece for my alto. I currently play a Selmer S80 (size G) with a Yamaha YAS-82Z, size 2 1/2 Java reeds. I'm hoping to get a brighter and more edgier tone, with more response and attack. I would say I'm between intermediate and advanced, started with classical saxophone, and moved towards jazz.

As many of you know, a large city like NYC does not have a very wide selection of mouthpieces. Sam Ash and Roberto's have great Jody Jazz's or Theo Wannes, but they are well over my price limit ($250). I have tried Otto Link Tone Masters (sz. 7), and that seems to be the best option as of yet. I also tried the Vandoren Java, Jumbo Java and V16 but I was not very comfortable with them.

After looking at WWBW, I see that they have Runyons, Berg Larsens and Beechlers at $200. The Berg Larsen 80/2 I tried at Roberto's was also very nice, but they priced it at $450 (probably a different model).

I realize this is not an easy process, but I would love it if anyone could recommend me a mouthpiece in my price range. I am looking at the Runyon Smooth Bore + Quantum, the Beechler Bellite, and the Berg Larsen 80/2. I want something that is loud, vibrant, and edgy. Any used deals are appreciated as well.

Thank you! Sorry for the long post.
 

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Hi, Asterion. Welcome. The beechler is the best of the lot that you're looking at for alto, IMO.
 

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Why metal?

There are a load of hard rubber pieces that will play as bright as a metal.
Metal is not brighter by material, the brightness is in the design

For half the price of a lot of what you are looking at you can get a hand faced hard rubber mouthpiece
 

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Yeah, kinda in the way that Shemp Howard was the best of the lot over Joe DeRita and Joe Besser...
Haaaruuffff! Haaarruuuff! mememememeememmeemmemeeee!
 

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I know for a fact that the Vandoren Jumbo Javas are very bright, loud and edgy, but I'm not sure about vibrant.
 

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Discussion Starter · #7 ·
Thanks for the responses everybody!

Why metal?

There are a load of hard rubber pieces that will play as bright as a metal.
Metal is not brighter by material, the brightness is in the design

For half the price of a lot of what you are looking at you can get a hand faced hard rubber mouthpiece
Yes, I am also curious to know what hard rubber mpcs would fit my bill; I chose metal mostly because I own 3 HR mouthpieces already, and wanted to experiment with something different.

I'm sure Beechler, Berg Larsen, etc. have hard rubber counterparts that sound great (which I'll research more), but do you have any other brands that you can suggest? I've heard great things about Claude Lakey, Meyer....
 

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My suggestion is to toss away the notion of what material you want the piece to be made of and talk more about the sound you are after. Who you dig and the likes. Then you could be directed a little easier.

My advice is to stay away from Lakey pieces and other high baffle pieces. I dont consider those good places to start. Traditionally a Meyer can take you a long way. Since you are coming from small classical tips Id suggest a 5.

If you have the cash to spend I would suggest a hand worked piece. Im biased in suggesting whose :mrgreen:
 
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