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240 Posts
Hi Folks,
my teacher plays a handmade Guardala BM and I very much dig his sound (here's some samples: http://www.sl-q.de/music.html). Well, maybe this relates more to the guy than to the mouthpiece, but anyhow.
Besides I cannot afford a BM, I don't think I would be up to the 0.114 tip opening. What do you suggest as an altenative to produce a similar sound (I know, practice, practice,...
?
I currently play a JJ DVNY 7* (YTS61 horn), which I mostly like, but it lacks some 'depth' or 'warmth' and I'm also having a hard time with overtones and proper articulation. It gets harder to play the higher I get on the horn. I found that a slightly higher beak (and maybe also a shorter facing?) supports articulation and overtones better (at least for me, maybe it's a voicing thing).
Regards,
Thomas
my teacher plays a handmade Guardala BM and I very much dig his sound (here's some samples: http://www.sl-q.de/music.html). Well, maybe this relates more to the guy than to the mouthpiece, but anyhow.
Besides I cannot afford a BM, I don't think I would be up to the 0.114 tip opening. What do you suggest as an altenative to produce a similar sound (I know, practice, practice,...
I currently play a JJ DVNY 7* (YTS61 horn), which I mostly like, but it lacks some 'depth' or 'warmth' and I'm also having a hard time with overtones and proper articulation. It gets harder to play the higher I get on the horn. I found that a slightly higher beak (and maybe also a shorter facing?) supports articulation and overtones better (at least for me, maybe it's a voicing thing).
Regards,
Thomas