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Recently one of my fellow Cincy area SOTW'ers told me about www.thisoldhorn.com. The company is run by a really nice retired couple in Florence, KY. They deal in mostly vintage saxophones and they are also dealers for Phil Barone and Firebird. I have been jonesing really bad to try a Phil Barone and last week decided to take the short drive to Florence because they had a new Barone Vintage in stock. They run the business out of their home and have a nice little studio in the basement as well as a repair shop in the garage. When he took me down to the basement I couldn't believe my eyes. I don't know as I've ever seen so many nice vintage horns in one room. Right there in the middle of the room was this Barone tenor: http://thisoldhorn.com/Horns/Barone/barone,vintage.goldlac.008.html

I had taken my Super 20 along mostly for comparison sake and had no intention of trading it. My plan was to play the Barone and, if I really liked it, buy it as a backup to the S 20. I spent quite a bit of time playing it and it is a fine horn. I actually liked the tone a little better than the King. I also spent a few hours playing the various Selmers, Conns and Bueschers that he had as well as a brand new Firebird tenor that played surprisingly well. He had a super nice SBA. I had never played one of those and was really impressed with it but did not like it as well as my King.

After I had played so many horns that my head was beginning to spin he handed me this horn: http://thisoldhorn.com/Horns/buescher.400.306.html

I was completely blown away! This is a tall statement to make but in 45 years of playing saxophone it was far and away the best horn I've ever played. I have never sounded that good in my whole life. It only took me a few notes to know I had found THE ONE. It is not the first TH&C I've ever played. There have been others and they were nice horns too but this thing just absolutely sings! I had to have it. After a little wheeling and dealing (Rob Dorsey is very easy to deal with) I walked out of there with what I consider to be the one horn that was made especially for me. Well, that might be a little melodramatic but, seriously, I couldn't be happier.

That was last Thursday and I still can't seem to put that horn down. I've never named a musical instrument before until now. I named her Linda. Seems like a beautiful name for a beautiful old girl.

If you're looking for a nice vintage horn I highly recommend you check these guys out. All their horns are in tip top shape (they do not deal in junk) and they'll treat you right.

Also, kudos to Jim Germann with Hollis Germann Music in Pittsburgh - http://hollisgermannmusic.com/

He did the overhaul on the horn and I could not be more impressed with the quality of his work. I doubt very seriously if that horn played any better when it was brand new. I also played several other horns that he had overhauled and they were the same way. Everything was just right. In the case of my horn, for example, the action is just as precise as any modern horn I've ever played. In fact, it's better than a lot of them.
 

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I hope that you also kept your S20?
 

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Jeff,


Congrats on your new horn. Always wanted one.

As for Jim Germann's work... second to none. He knows how to properly set up a saxophone. Hard to describe but you know it when you play one. He is currently working on my 10M doing a full rebuild. Can't wait.
Also... Jim supports my Sax-O-Thon Effort each year by fixing a few saxes for me for no charge. Jim and Don are top shelf guys too.


Again... congrats
HUTMO
 

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"his excited eyes from within the dark interior glazed, watered in appreciation of his thoughtful preparation." from Capt. Beefheart's "Old Fart At Play." Rob's writing style always made me think of this.
 

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Budget Explosion said:
"his excited eyes from within the dark interior glazed, watered in appreciation of his thoughtful preparation." from Capt. Beefheart's "Old Fart At Play." Rob's writing style always made me think of this.
I'm not sure but I'd bet that Rob, as the author of a couple of books and countless articles in national journals and magazines, would be pleased to hear that he has a readily recognizable style.

Everybody's A Critic,
Your Pal Ziggy

Sent from my iPad using Forum Runner
 

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Recently one of my fellow Cincy area SOTW'ers told me about www.thisoldhorn.com. The company is run by a really nice retired couple in Florence, KY . . . They run the business out of their home and have a nice little studio in the basement as well as a repair shop in the garage.
In the Selmer section of the This Old Horn website, they say, "Overhauls and other large jobs are done in our shop by our highly skilled and experienced craftsmen or sent out to the best technicians in the business." Did you see any of their highly skilled and experienced craftsmen at work in either the basement or the garage? I'm just curious about how that works.
 

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Anybody tried Rob's Tommy Flanagan model hand crafted tenor sax mouthpiece? I hear they're great for Blues, Ballads, and Bebop! LOL

 

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Discussion Starter · #17 ·
In the Selmer section of the This Old Horn website, they say, "Overhauls and other large jobs are done in our shop by our highly skilled and experienced craftsmen or sent out to the best technicians in the business." Did you see any of their highly skilled and experienced craftsmen at work in either the basement or the garage? I'm just curious about how that works.
LOL. I saw the shop but no highly skilled craftsmen at work in it. My horn was one of the ones that got sent out. I've never met Jim Germann personally but judging from the quality of the work that was done on this particular horn I would agree that he is highly skilled.
 

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Discussion Starter · #18 ·
That horn looks great. I'm no Buescher expert, but I thought a TH&C neck looked different. Isn't it supposed to have an extra brace or crossbar?
I'm no Buescher expert either but you raise a good point. All the other TH&C's I've seen have the extra brace. Weird. Oh well, it's still an unbelievable player with or without the brace.
 

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LOL. I saw the shop but no highly skilled craftsmen at work in it. My horn was one of the ones that got sent out. I've never met Jim Germann personally but judging from the quality of the work that was done on this particular horn I would agree that he is highly skilled.
There's no question that Jim Germann is a highly skilled and experienced craftsman. If Rob just left it at that, it would do wonders for his credibility.

But regardless, congrats on your new horn!
 

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i'm glad someone had a good experience with rob dorsey....you are very fortunate that he didn't work on your sax himself ......it cost me $850.00 to repair the shoddy re-pad he did on my TT alto.......what do you think of rob's tech ability ,sigmund ??.....please go away
 
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