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· Registered
Alto, C-mel, Saxie
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138 Posts
Discussion Starter · #1 ·
My family always likes to make a big deal out of my birthday -- whether I want them to or not --, so being stuck inside due to coronavirus had them looking for some other way to celebrate. So when my parents and grandmother offered to cover the difference so that I could get something extra special, well...

Granted, when I told them "I'm going to get a Typewriter", they thought I was referring to something else; they aren't particularly happy about my having more than one saxophone (they'd probably have a conniption if they knew how many I actually have), and were a little iffy when I explained to them what I wanted. But they came around once they saw it and heard it play. Needless to say, it definitely changed their mind about the quality of vintage saxophones. :)

Automotive exterior Revolver Electric blue Font Trigger

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This is my very first Martin, and I'm incredibly impressed; it's one of the sweetest sounding altos I've ever played, and the only one of my altos so far that can compete with my Holton Rudy for the coveted position of main alto. I was expecting the keywork to be awkward, but now that I've had a few days to work with it I've found it's just a matter of getting used to it. It doesn't have its original mouthpiece, but I've tried it with my two favorites -- my Goldbeck and my Selmer RW Special -- and it plays wonderfully with both of them.

Not sure if this means I'm going to actually be looking forward to my birthdays from now on, but it's a start. :)
 

· Distinguished SOTW Member, Forum Contributor 2013-
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5,935 Posts
I would love to have one of these typewriter altos.

These are real dream horns for me.

The ergos would be tricky --- but maybe worth it.

Anyway they are beautiful.

Especially this one!

Congratulations.
 

· Distinguished SOTW Member/Sax Historian
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7,147 Posts
The Typewriter - or the Master, which was Martin's name - wasn't just a gimmick. Supposedly the designer located the best leverage point for each key, and that's where the pearl was positioned on the rod or cup. The idea was that you wouldn't ever hit a key touch off center and slow up your execution.

Whether it worked that well is a matter of opinion, but I own 4 Typewriters (SATB) and I can tell you it worked better than people think. Players are conservative about what is new, or just different.
 

· Registered
Alto, C-mel, Saxie
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138 Posts
Discussion Starter · #13 ·
Thanks! It's an interesting experience playing one of these for the first time; it wasn't uncomfortable for me, but the round pearls definitely give it a unique feel. It's just a matter of getting used to its quirks, which can probably be said for just about any saxophone; once you figure it out, it plays like a dream. The only thing I haven't gotten used to quite yet is the fact that I finally own one! :)
 

· Distinguished SOTW Member, Forum Contributor 2013-
Joined
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5,935 Posts
Thanks! It's an interesting experience playing one of these for the first time; it wasn't uncomfortable for me, but the round pearls definitely give it a unique feel. It's just a matter of getting used to its quirks, which can probably be said for just about any saxophone; once you figure it out, it plays like a dream. The only thing I haven't gotten used to quite yet is the fact that I finally own one! :)
I even envy you your adjustment period.
 
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