If you are anxious about it, tenor is a good way to break into this type of group. Most of the sax features and solos go to the altos. Have fun!
Ask to make copies of the pieces you have difficulty with so you can practice them at home. It's a great jumping off spot to get involved with other bands. I play whatever horn they need sometimes 2 or 3 in the same concert.freeflier said:I'm excited.
By way of background: I played tuba for one year in the 7th grade, and owned a guitar in college (learned a few chords and a few licks, like the intro to "Stairway to Heaven," but that was about it). So, almost 20 years later, I decided to have one more go at becoming a musician. 3 years ago I bought my first sax, a YAS-23. A Martin Indiana tenor soon followed, and 6 months ago a Couesnon Bb bari joined the collection.
I started with self-teaching and CD play-along books, and after a year of that began taking lessons. Now I feel ready (gulp - am I really?) to start playing with other people.
I've been mostly playing the tenor, then splitting my time 50-50 between tenor and bari once I got the bari. So even though I'm slightly more proficient on the tenor, I figured I'd play the bari in the community band, for 2 reasons:
1) I thought the bari parts would be easier
2) Surely they'd have plenty of tenor players, and would be in need of a bari.
Uhm - isn't this standard? Some of us are scolded regularly for not practising at home...we are given copies stamped with "original in archive", and we can do whatever we want (clip, annotate, ...) with them, as long as we don't give them away.mountainman said:Ask to make copies of the pieces you have difficulty with so you can practice them at home.
tictactux said:Uhm - isn't this standard? Some of us are scolded regularly for not practising at home...we are given copies stamped with "original in archive", and we can do whatever we want (clip, annotate, ...) with them, as long as we don't give them away.
QUOTE]
It certainly should be standard, but apparently it isn't. In two of my bands I have to make my own copies if I want them at home, as there is only one folder per part. And recently there was a thread on the forum started by someone whose director felt that NOT taking the music for home practice would improve his sight reading! :? Go figure!
You should indeed always get your own copy so you can study the piece at home. That's where you learn the notes so you can concentrate on making music at bandpractice. Big difference between them...AltoRuth said:It certainly should be standard, but apparently it isn't. In two of my bands I have to make my own copies if I want them at home, as there is only one folder per part. And recently there was a thread on the forum started by someone whose director felt that NOT taking the music for home practice would improve his sight reading! :? Go figure!
Yup. Happened yesterday again. I've gone through a piece once or twice the day before, mentally marked it as "manageable". The sheet said "4/4". The conductor (and everyone else) played "alla breve". Duck and cover...Consider the Source said:The director will count off 1, 2, 3, 4 and then the band will start playing and you'll be lost after the first down beat.
Or conductors counting in 7retread said:And I've seen first rehearsals when the music was in three and the conductor beat in four (but only for a couple of bars).
You get counted off? Occasionally we get counted off in practice, but for concerts, never.Consider the Source said:Ruth is correct. The director will count off 1, 2, 3, 4 and then the band will start playing and you'll be lost after the first down beat. Don't sweat it. It happens to all of us. The more you play with the group and the longer you stick with it the less it will happen and the easier it will become finding your way when you do get lost.
Hah, that's exactly what happened on way too many tunes. I was able to play along on a couple of numbers, but most of the time I just sat there holding my horn. Apparently the summer programs recycle a lot of music, so the people who've been in the band for 20 or so years already know all the music. I really didn't think the first practice would be like that, so it was a bit of a shock.Consider the Source said:What everyone else said.
Ruth is correct. The director will count off 1, 2, 3, 4 and then the band will start playing and you'll be lost after the first down beat.
This happened to me also at last night's rehearsal. We spent three months practicing the all new spring concert stuff. Now, we're doing last year's summer program. It was the first time I played it with whole band. I had no idea what it was going to sound like :dontknow: Some pieces I never even heard before last night. When my part just has a harmony line I couldn't practice it ahead of time without any idea of it's context or tempo. I just tried to read it as best I could.freeflier said:Hah, that's exactly what happened on way too many tunes. I was able to play along on a couple of numbers, but most of the time I just sat there holding my horn. Apparently the summer programs recycle a lot of music, so the people who've been in the band for 20 or so years already know all the music. I really didn't think the first practice would be like that, so it was a bit of a shock.
Ok, so I'm doing the arithmetic... I've got about 35 pieces of music to practice (the director says we might drop one or two before the concert), and the first concert is July 4th. I sure hope my ability to learn new tunes (or sight read) keeps improving over the next two months!