I often use my left pinky to close the low B key, while playing D2, while using the first 3 fingers of both hands (plus the octave key).
On my late Mark VI alto, this improves the intonation.
I am guessing this is why Mr. Siegfried is doing this.
Too bad I did not buy the P Mauriat alto I tried at Dylan Music about 5 years ago. For me it had all the free-blowing positive characteristics of my Mark VI, but its intonation was locked in.
On my late Mark VI alto, this improves the intonation.
I am guessing this is why Mr. Siegfried is doing this.
Too bad I did not buy the P Mauriat alto I tried at Dylan Music about 5 years ago. For me it had all the free-blowing positive characteristics of my Mark VI, but its intonation was locked in.