The only blanket thing that remains with sax is that a nice gouge at 6K will really make things much more listenable. Ie, less strenuous on the audience. I know lots of sax players who have tonnes of overtones around 6K and yeah...ugh....
If only we could all be so lucky.hakukani said:Well, I've done live sound for Liebs, Ravi Coltrane, Paquito, among others and didn't feel the need to 'gouge out at 6k'.
But, then again, I prefer the EAWs that I was using for mains than Mackies...