Rovner ligature placement
I know the answer from a lot of people will be just play with it and see what works for you, however I'd like to know if anyone has any strong opinions on what works best. Specifically is the Rovner ligature placed best centered on the uncut reed or in another position? Is it best to have the least possible pressure on the reed by leaving it loose or does tightening it a bit help (or hurt) for darkening the tone or for hitting altissimo notes? What are the opinions regarding cutting off the excess wood of the unfinished end to eliminate overhang off the reed table?
I play a Selmer SA 80 series I silverplate tenor with a JodyJazz ESP 7 (.100) and ZZ 2.5 reeds (and a variety of others) or more recently Rico Select 2 medium or a fibrecell medium soft. I strive to obtain the darkest tone possible, although admittedly I might do better in that regard with a funky old Zephyr with corroded lacquer than my shiny Selmer.