Just out line the chords in a permutation get the 3rd and 7th in there. Then do the same on each chord whatever you started with as it descends. It's sequencing.
The listener can follow the descending line , that's what I try to do anyway. Like on Sister Sadie last part of the bridge. on thenor D7 C7 B7 Bb7
One chord per measure so notes could be 5 7 3 1 ....... A C F# D,
G Bb E C, F# A D#B , F Ab D Bb in quarter notes. If you want 8ths you need to think of a phrase like A C A G F# E D C , G Bb G F E D C Bb etc. descending
There is a million possible patterns , but repeating the pattern holds interest to the listener.
The listener can follow the descending line , that's what I try to do anyway. Like on Sister Sadie last part of the bridge. on thenor D7 C7 B7 Bb7
One chord per measure so notes could be 5 7 3 1 ....... A C F# D,
G Bb E C, F# A D#B , F Ab D Bb in quarter notes. If you want 8ths you need to think of a phrase like A C A G F# E D C , G Bb G F E D C Bb etc. descending
There is a million possible patterns , but repeating the pattern holds interest to the listener.
