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374 Posts
The criteria by which I judge a ligature is by how well it seals the reed on the table, how well it holds it's place on the mouthpiece while tuning and on how easy and stable the bottom notes are while subtoning. I have a Rovner light which I am not thrilled with although adequate and a left over Francois Louis from when I owned a metal mouthpiece. I combined the plate with the Rovner and now I have a ligature that works as I like it to work.


