Practice the finale slowly, and count carefully. Spend a lot of time rehearsing with the piano if possible. I know of recordings by Otis Murphy, Joe Lulloff, Jean Yves Fourmeau, and Debra Richtmeyer. I like the Otis Murphy recording the most. It is off his CD "Memories of Dinant."
I think it's helpful to approach this piece as a duet. There are definitely some conversational elements in the Desenclos. It's good to figure out where you are playing the melody and where you are accompanying the piano. Good luck.
I second working on this piece as a duet.
As for other recordings, three brilliant ones are Claude Delangle's on A La Francaise, Nobuya Sugawa's from Fuzzy Bird Recital, and Arno Bornkamp's from Saxophone Sonatas.
Enjoy this piece!
Practise the piece at a slow pace. Quality is imperative especially for this piece. Your air stream is very important. If you havent achieved a certain level of air focus, all your notes wont sound clear. All musicality, technique and ensemble are clearly shown in this piece while maintaining a mature musical attitude. The musical phrasing in the piece should be played in a subtle way(imo) so it seems natural but clear at the same time. Rhythm is a basic component as well.
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