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I recently acquired a Theo Wanne Datta HR 9 and a Theo Wanne Durga Metal 9. I was interested to see what the differences between these two would be since the Datta is supposed to be modeled after the Durga.
I had the Datta for a bout a week before I got the Durga. I liked the Datta but it seemed a bit too bright for me and it really seemed like it would only work for the Rock stuff I was playing. I got a Gaia HR 9 to use for my Jazz gigs since I didn't feel like the Datta would work for a more intimate setting.
I read a couple of reviews on here that said the Durga was maybe not as bright as the Datta but still had a huge sound. It sounded like exactly what I was looking for, so I pickup up the Durga 9 off eBay.
The Durga arrived yesterday and I have spent many hours with it already. I was very pleasantly surprised with the Durga. It is EXACTLY what I was looking for! A huge, fat, warm sound with just the right amount of edge. The Datta HR is a good bit brighter and has a more compact, focused sound than the Durga. The Durga is plenty bright for my funk, R&B, rock gigs but still has a very thick, round core that will suit my jazz work as well. The Durga also has a little more resistance than the Datta, which I like a lot. The Datta was so free blowing that I had a hard time supporting a solid tone when playing at very soft dynamics. The Durga has just enough resistance to allow me to play very softly and have the same quality of sound that I have at FFF. The Durga, for me, was also a bit more responsive. The low bell notes are easy to play and the altissimo on the Durga is the best I have ever played.
The Datta seems like it might be a bit louder than the Durga, but that could just be the extra brightness making it seem louder. The Durga is plenty loud and takes all the air I can put through it.
I thought I would put up a short sample of the two pieces, so you can hear what I'm talking about. In the clips, I'm playing Kirk Whalum's solo from "I Will Always Love You" by Whitney Houston. I used a bit of reverb on the samples but no other changes have been made to the sound. On the Datta HR 9, I am using a Vandoren Java 2.5 with a Theo Wanne Vintified Enlightened Ligature with the Heavy Copper pressure plate. On the Durga 9, I am using the Theo Wanne Rhodium plated Liberty Ligature set on the second hole from the tip using the Alive Gold pressure plate. I am using the exact same reed on both and am playing on my 141,XXX Selmer Mark VI. The recording was made on Logic Pro 9 using a Shure KSM 44 mic.
View attachment Durga.mp3
View attachment Dattahr.mp3
I had the Datta for a bout a week before I got the Durga. I liked the Datta but it seemed a bit too bright for me and it really seemed like it would only work for the Rock stuff I was playing. I got a Gaia HR 9 to use for my Jazz gigs since I didn't feel like the Datta would work for a more intimate setting.
I read a couple of reviews on here that said the Durga was maybe not as bright as the Datta but still had a huge sound. It sounded like exactly what I was looking for, so I pickup up the Durga 9 off eBay.
The Durga arrived yesterday and I have spent many hours with it already. I was very pleasantly surprised with the Durga. It is EXACTLY what I was looking for! A huge, fat, warm sound with just the right amount of edge. The Datta HR is a good bit brighter and has a more compact, focused sound than the Durga. The Durga is plenty bright for my funk, R&B, rock gigs but still has a very thick, round core that will suit my jazz work as well. The Durga also has a little more resistance than the Datta, which I like a lot. The Datta was so free blowing that I had a hard time supporting a solid tone when playing at very soft dynamics. The Durga has just enough resistance to allow me to play very softly and have the same quality of sound that I have at FFF. The Durga, for me, was also a bit more responsive. The low bell notes are easy to play and the altissimo on the Durga is the best I have ever played.
The Datta seems like it might be a bit louder than the Durga, but that could just be the extra brightness making it seem louder. The Durga is plenty loud and takes all the air I can put through it.
I thought I would put up a short sample of the two pieces, so you can hear what I'm talking about. In the clips, I'm playing Kirk Whalum's solo from "I Will Always Love You" by Whitney Houston. I used a bit of reverb on the samples but no other changes have been made to the sound. On the Datta HR 9, I am using a Vandoren Java 2.5 with a Theo Wanne Vintified Enlightened Ligature with the Heavy Copper pressure plate. On the Durga 9, I am using the Theo Wanne Rhodium plated Liberty Ligature set on the second hole from the tip using the Alive Gold pressure plate. I am using the exact same reed on both and am playing on my 141,XXX Selmer Mark VI. The recording was made on Logic Pro 9 using a Shure KSM 44 mic.
View attachment Durga.mp3
View attachment Dattahr.mp3