Sax on the Web Forum banner
1 - 9 of 9 Posts

· Distinguished SOTW Member
Joined
·
875 Posts
Discussion Starter · #1 ·
I recently switched to a curved Yanagisawa soprano and love it. Right now I am struggling with the right mouthpiece and reed comb for it. All my gigs will be contemporary jazz (Warren Hill, Sanborn, Albright, etc.). I have a Runyon 6 which seems a little closed and hard to keep in tune. I bout a Runyon 8 and it plays really stuffy, nothing like the 6. I bought a Yanagisaw metal 7 and it seems stuffy as well. Do I maybe want to try a Dukoff or maybe a Selmer soloist?
 

· Distinguished SOTW Member
Joined
·
14,671 Posts
I've used Super Session J, Morgan Vintage 6 and 7 on my SC902. I'd be happy to e-mail you a sound-clip of the SS-J if you PM your e-mail address to me. It WON'T be that contemporary sound, but a horn is a horn. DAVE
 

· Registered
Joined
·
709 Posts
The best piece I found for my curved sop was a Morgan Vintage. For me, the curvie offered more resistance then my straight sop, the Morgan mouthpiece is a very free blowing piece and matched up well for me.
 

· Distinguished SOTW Member/Forum Contributor 2012
Joined
·
4,250 Posts
I played a HR Link 7*, then a Rousseau Studio Jazz 6 (also HR), and now a basic Yanagisawa 5. It is a bit closer, more buzz, less projection, but ways easier and more in tune.
 

· Distinguished SOTW Member
Joined
·
875 Posts
Discussion Starter · #5 ·
I just put back on my yani metal and played a tune for my gf and she said my intonation was WAY better than my Runyon.
 

· Registered
Joined
·
674 Posts
Hr Berg larsen, theo wanne gaia 7 and a vintage large chamber link. I think curved sopranos just play better with larger chamber mouthpieces. Plus curved sopranos do have a little bit more resistance than straight sopranos. Good luck and take care ok.

sent from Mikey's Super Inspire 4G
 
1 - 9 of 9 Posts
This is an older thread, you may not receive a response, and could be reviving an old thread. Please consider creating a new thread.
Top