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I was just wondering how is it done and I don't mean those altissimo multiphonics. Many contemporary altoist (like Sanborn, Rangell etc.) use this effect when they play higher notes like C3 (C + octave key) or D3 etc. They hold on to this note for awhile and it kind of cracks (no growl). Is it done just by overblowing or does it involve alternate fingerings or what? How does or does mpc/reed setup affect this?
This is the best I could explain this. Maybe I could put a short clip demonstrating this effect (if it's necessary)..
Thanks,
-TH
This is the best I could explain this. Maybe I could put a short clip demonstrating this effect (if it's necessary)..
Thanks,
-TH