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· Registered
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Discussion Starter · #1 ·
Hello SOTW,

I have an interesting story. A buddy of mine was given an old sax lamp by his uncle with the keys glued shut, the neck attached, and a clear epoxy throughout the body of the horn and neck.

It turns out that this lamp is an 60XXX Mark Vi Tenor. :cry:

Has anyone seen a sax lamp revitalized at all?

Is it possible?

Is it worth it?

Let's discuss.

Thanks
 

· Clueless how he got this title
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Hello SOTW,

I have an interesting story. A buddy of mine was given an old sax lamp by his uncle with the keys glued shut, the neck attached, and a clear epoxy throughout the body of the horn and neck.

It turns out that this lamp is an 60XXX Mark Vi Tenor. :cry:

Has anyone seen a sax lamp revitalized at all?

Is it possible?

Is it worth it?

Let's discuss.

Thanks
With enough time and money put into it, I do believe that you could possibly get it back into playing condition. I think it may not turn out to be a very pretty horn esthetically, but looks are not everything.
 

· Distinguished SOTW Member
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1,122 Posts
Yes, and there is a member here who converted a MK VI alto from a lamp into a player again.

Anything can be brought back...but it doesn't mean it will be easy (depending on just how everything was mounted and wired).
 

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Epoxy is very hard to get rid of. I worked on a harp that had some. I stripped off all the regular finish with ease, but the epoxy barely softened. Maybe heating it would work. If you can find a solvent that works, dipping might be the way.
 

· Out of Office
Grafton + TH & C alto || Naked Lady 10M || TT soprano || Martin Comm III
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I know of someone who did a very similar project. The MKVI was being used as a plant pot. When I saw it it looked like "Night of the Living Deadsax". I'm sure the epoxy can be removed, there may be a lot of reconstruction involved, especially if heat has to be used to remove the epoxy and solder (either normal or silver) gets melted in the process. I get the feeling a tech good enough to actually do such reconstruction would have fees that might mean the actual cost of restoration is very close to the final value of an (unlacquered) MKVI.
 

· Forum Contributor 2015-17
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^^^I think he meant there was epoxy resin poured into the entire body of the sax. If so, you have to find something that will soften epoxy. I had a vandal once epoxy my door lock tumblers on my Chevy pickup truck and acetone dissolved the epoxy (I think it was epoxy, but not completely sure).
 

· Distinguished SOTW Member/Forum Contributor 2010
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3,388 Posts
Sounds like a LOT of work with no guarantee of a good payoff. Some VIs were dogs. Maybe this one is a lamp for reason :)
Thats pretty much what I was thinking.

If it dissolved in Acetone it wasnt epoxy... Epoxy cross links, its virtually chemical proof. Dichloromethane might soften it some, not sure if its been banned yet or not.
 

· Distinguished SOTW Member, Forum Contributor 2012
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2,240 Posts
Yes, there is resin poured down the bell. That's where the lamp is sticking out of.
So, just for clarification, is the epoxy only in the bell/bow? Or is it in the body tube as well? Not that it wouldn't be difficult, but I'd think it would be a lot easier to remove from the bell/bow than the body tube...

Oh and it would be worth finding out if it is indeed epoxy or some other, more workable, material.
 

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It would seem like an awful lot of work just to "excavate" a saxophone. You might as well just save up for another mark vi. Or you have yourself the world's nicest keyless sax!
 

· Distinguished SOTW Member, Forum Contributor 2012
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2,240 Posts
So, just for clarification, is the epoxy only in the bell/bow? Or is it in the body tube as well? Not that it wouldn't be difficult, but I'd think it would be a lot easier to remove from the bell/bow than the body tube...

Oh and it would be worth finding out if it is indeed epoxy or some other, more workable, material.
Duh, I get low marks for reading comprehension today. I see you state the epoxy is throughout the body and neck. Bummer. Still worth testing the material...
 
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