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· Distinguished SOTW Member/Technician
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21,540 Posts
Don't let the later ones chase you away. Some of these are very good and worth a look. I like Martin tenors better but a 50s 10M can be a bargain. OF my 20+ altos a post war 6M is one of my favorites.
 

· Distinguished SOTW Technician
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2,532 Posts
I think if you choose with care you can get a good one.
My experience of the range has been that the earlier models are quite consistent - you'd have to be unlucky to get a poor one in terms of playability - but the later models seem to be more inconsistent.
They do tend to be cheaper though.

I'd agree with Bruce on this one, and perhaps open your search to include Martins.

Regards,
 

· Distinguished SOTW Member, Forum Contributor 2016
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20,669 Posts
I think it's funny to consider a 1950 10M a 'later model'. Heck, they were made up until the mid-'70's...so, technically speaking, an early '50's horn is a 'middle period' model.

They are fantastic...and usually affordable because everyone goes ga-ga over the rolled hole era ones (those ended in '48). If you can get over rolled-hole envy...then the '50's ones are every bit as good as a '40's or '30's one.

I have had over a dozen 10's thru here, ranging from '39 to a '69....and really, they were all good. Certainly not identical, but their design never really changed all that much and they all...all...had that signature 10M tone; because really the body specs were consistent (except for the RTH) throughout the model's existence.
Not everyone's cup of tea, because some folks cannot get past having to learn the ergos (which once you do are fine) , and some vintages require a relocation of the strap eyelet (about a $25 tech job)....but still arguably one of the best Tenors ever produced.
 

· Distinguished SOTW Member, Forum Contributor 2014
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4,333 Posts
Yeah I think any of them are gonna be a beast. I had slight intonation issues on the 2 later ones that I had, but it was only slight. But they all are rowdy bar fight kind of horns, and thats why I play one.
 
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