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Discussion Starter · #1 ·
Yesterday in London, Naomi Sullivan recorded a work of mine for soprano saxophone and tape. Although a work for classical saxophone it apparently sounds psychedelic. For this reason studio techniques were used, extensive reverb, delay and some backwards saxophone towards the end.

Sometime ago I read a classical music writer who said that composers and players should start making more use of the techniques available in a studio, so this was a good opportunity to try it.

Here is the page with information and a Soundcloud link to the recording:

Transit Of Venus
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