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301 Posts
Found a fun surprise in my basement.
10 years ago or so, a friend of mine’s dad bought an old Selmer (he thought it was a tenor) at a yard sale and was very excited.
Turned out to be a low pitch C
I tried to give it back to him and they didn’t want it. I hadn’t seen it and was trying to remember what happened...
Just found it mixed in with some old cases.
It had a Brilhart Ebolin 3 Alto mouthpiece jammed inside the crook.
Sounded much better when I figured that out
It is a silver Selmer New York
111393
Low Pitch
License
Pat. Dec. 8, 1914 (not sure about the date)
It needs pads/setup but is in excellent condition otherwise.
Fairly dark tone (played open)
I would actually use this. I don’t do a lot of reading gigs so the transposition isn’t an issue for me.
This deserves a rehab doesn’t it?
10 years ago or so, a friend of mine’s dad bought an old Selmer (he thought it was a tenor) at a yard sale and was very excited.
Turned out to be a low pitch C
I tried to give it back to him and they didn’t want it. I hadn’t seen it and was trying to remember what happened...
Just found it mixed in with some old cases.
It had a Brilhart Ebolin 3 Alto mouthpiece jammed inside the crook.
Sounded much better when I figured that out
It is a silver Selmer New York
111393
Low Pitch
License
Pat. Dec. 8, 1914 (not sure about the date)
It needs pads/setup but is in excellent condition otherwise.
Fairly dark tone (played open)
I would actually use this. I don’t do a lot of reading gigs so the transposition isn’t an issue for me.
This deserves a rehab doesn’t it?