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Buffet Clarinet, Conn Soprano Sax, Buescher Alto Sax, 2 Bundy One Tenor Saxes, Conn C Melody Sax,
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That was great playing on the C melody. Kind of makes you wonder why hardly anyone plays them. I have three of Mike's CD's on the Delmark label. He's a great player coming out of the Cannonball school. Glad to know he's still going strong.
 

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Marvelous. Let us have no more guff about how Bueschers, or C melodies, are unsuited to good jazz playing.
 

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Family friend Mike Smith.......
That's some great music and I love the humor in the video. Genuinely fun entertainment. Thanks for Sharing!

Marvelous. Let us have no more guff about how Bueschers, or C melodies, are unsuited to good jazz playing.
You're right C melodies are not terrible. Just believe anyone can play a decent sounding song.
Here's a video by another one of our own. Dave Pollack on a Conn straight neck.

Where are all the others?
 

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That's some great music and I love the humor in the video. Genuinely fun entertainment. Thanks for Sharing!

You're right C melodies are not terrible. Just believe anyone can play a decent sounding song.
Here's a video by another one of our own. Dave Pollack on a Conn straight neck.

Where are all the others?
Wow, quite a big contrast between Mike's tenor sounding C mel and Dave's alto sounding C mel. It would be interesting to know what their set-ups are.
 

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Wow, quite a big contrast between Mike's tenor sounding C mel and Dave's alto sounding C mel. It would be interesting to know what their set-ups are.
Dave used his beloved alto Meyer mouthpiece. He is a fantastic player so he could make the C-mel sound very nice with this set-up. But he admitted that he had to struggle a lot with the intonation.

And Mike's playing is wonderful, too!
 

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Yes, Dave used a Meyer 5 in that video. It was also pulled way out.

Anyone have modern videos of others ?

King 1924

Selmer.

Lyon & Healy short demo

Conn 8m

James Carter on a Selmer Mk VI C Mel

Vito 1960's

Holton early 1920's (not 1904)

Martin demo
 

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Yes, Dave used a Meyer 5 in that video. It was also pulled way out.

Anyone have modern videos of others ?

King 1924

Selmer.

Lyon & Healy short demo

Conn 8m

James Carter on a Selmer Mk VI C Mel

Vito 1960's

Holton early 1920's (not 1904)

Martin demo
Buescher C-melody 1923

I used a Riffault tenor mouthpiece as a blank to make my own C-melody mouthpiece. (Reduced chamber,
raised floor, cut shank, lower beak, tip opening .104 ", facing length 46. Green java #3 reed.)
 

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Dave used his beloved alto Meyer mouthpiece. He is a fantastic player so he could make the C-mel sound very nice with this set-up. But he admitted that he had to struggle a lot with the intonation.

And Mike's playing is wonderful, too!
What about necks? Some C mels come with a straight alto type neck and some have a curved tenor like neck. I'm thinking this must affect the sound as well. No?
 

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What about necks? Some C mels come with a straight alto type neck and some have a curved tenor like neck. I'm thinking this must affect the sound as well. No?
It does, Mike Smith is using a custom Babbit piece on his curved neck Buescher and Dave is playing with an alto Meyer on the straight neck Conn. I have Buescher, Martin and Conn C Melodies that play well, but they are different.
 
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