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So, I just picked up what I THINK is a Great Neck Tonalin Clarinet (thanks Brilhart for not stamping Great Neck on there to make it clearer
).
It has the ligature line and large Old Fashioned font, with serial range of 52XXX. While that could put it in both Great Neck and Mineola, the tip size (4) is stamped on the table. As I understand it from Theo Wanne's page, only the earliest pieces had the tip on the table before it was moved to the back. However no one seems to really have a proper chart of S/N ranges for clarinet Brillys like there are for alto/tenor.
What do you think is the verdict? The post-Selmer pieces had the ligature line again, but those used the small Arial font with the date as the S/N. Huntington era removed the ligature line, so I think it HAS to either be a Great Neck or Mineola. But the Mineola's never had the tip opening on the table. That would make it an early Great Neck, but the S/N would seem rather high to be such an early model, unless Brilhart simply made substantially more Tonalin clarinet pieces than the other types.
It has the ligature line and large Old Fashioned font, with serial range of 52XXX. While that could put it in both Great Neck and Mineola, the tip size (4) is stamped on the table. As I understand it from Theo Wanne's page, only the earliest pieces had the tip on the table before it was moved to the back. However no one seems to really have a proper chart of S/N ranges for clarinet Brillys like there are for alto/tenor.
What do you think is the verdict? The post-Selmer pieces had the ligature line again, but those used the small Arial font with the date as the S/N. Huntington era removed the ligature line, so I think it HAS to either be a Great Neck or Mineola. But the Mineola's never had the tip opening on the table. That would make it an early Great Neck, but the S/N would seem rather high to be such an early model, unless Brilhart simply made substantially more Tonalin clarinet pieces than the other types.