The only place where this doesn't apply is Selmer mouthpieces. Paul Coats wrote an article about this and I agree with him...
This is very true. Notice that Tomsch uses a higher baffle piece on his tenor than the other two horns. Higher baffles need larger tip sizes.tomsch said:I use a 0.65 on soprano, 0.80 on alto (although I could use a larger tip opening), and .117 on tenor. The key for me is not just the tip opening but the overall design of the mpc.