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Hi all looking for some vids or albums of some alto blues players...like 11 bar blues...lots of tenor blues players not familiar with any alto blues players...enlighten me please...peace
 

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Please do elaborate on "11 bar blues". Is that the name of a tune or some variation of the 12 bar blues? What is the form exactly?

For some current players, check out Gerald Albright (in spite of the album cover, he plays a lot of alto):

A few other jazz players who can play the crap out of the blues on alto: Sonny Stitt

Here's Hank Crawford somebody already mentioned:

Sanborn isn't a blues player per se, but just about everything he plays is dripping with blues.
 

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Dutch alto player Piet Noordijk (sound quality of this live recording is unfortunately not so good, but the blues playing is):


Better recording qualities here:


 

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John Lee Hooker was famous for not being able to have a bass player with him, because he would play the blues with 11 or 13 bars thrown in a song.

I wish I could find the source, but the interview as I remember it went like this,

JLH: "Of course I know how to count. I can count to 12. But I don't count my music, I feel my music. And if it needs 11 bars or 9 bars, that is what I give it. And if it needs more that 12, I do that, too. Not everybody can play with me because of that."

My memory is rapidly being overtaken by my forgettory, so I cannot recall the source for this. I will do a little digging.

It would be well to get a correction. To quote rather than garble recollection. I shall hunt in my liner note collection.

It is, of course, not about an alto saxophone, but there was a direct question about 11 bars in a blues form.
 

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No luck. About half of my blues 33 1/3 collection is missing. What is more, I found a lot of empty sleeves. I wonder how that happened ...

No harm at this point finishing out the details of this alleged memory of mine.

I think that the quote from Hooker comes from the liner notes of an album where he was backed by (perhaps) Canned Heat. There was his "quote" paraphrased above in the liner notes, as well as a similar statement from one of the band members along the lines of "We all have listened to John Lee Hooker for a long time. So we know how to be flexible with his form and back him up in his style. You can't just count 12 bars. You have to listen."

But, as Winston Churchill said, "Verify your quotations!" And I cannot do that.
 

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I vaguely recall playing a couple of big band charts that had weird blues forms - 11 bars, 13 bars, etc. I wish I could remember what they were. It took a lot of rehearsals to get it down since everybody was feeling 12, yet that wasn't the form. We eventually got it, and it sounded pretty cool.

It's amazing how many tunes are based on the blues form yet still manage to sound unique. Some are very well disguised, like Steely Dan's "Peg". It's a straight up 12 bar blues but doesn't sound like it unless you listen carefully.

I digress...

Check out this lesson from Wynton, especially around the 16 minute mark:
 

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In addition to all the above, Bird was a master of the blues. One of my favorite examples (Bird comes in at 2:04):


For a more 'basic' blues alto player, we should probably mention David Sanborn as well.

John Lee Hooker aside, it would be difficult to find an 11-bar blues. But there are plenty of 8-bar, 16-bar, and 24-bar blues.
 
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