When you say the lower octave fork F# is "out of tune", is it flat or sharp relative to the same note an octave higher? How about the regularly fingered F#---is the pitch of this fingering the same in both octaves? Does the note in either octave sound "stuffy" when compared to the F natural a half step away?
This is an interesting question, but more information would be helpful to look at a possible solution. I'm sure you realize that this particular fingering for F# is used mostly in trills and in rapid chromatic passages in which any pitch discrepancy would largely go unnoticed.
John
This is an interesting question, but more information would be helpful to look at a possible solution. I'm sure you realize that this particular fingering for F# is used mostly in trills and in rapid chromatic passages in which any pitch discrepancy would largely go unnoticed.
John
