That one is very comprehensive and easy to read. Modes are covered in the first several chapters.NU2SAX said:
That one is very comprehensive and easy to read. Modes are covered in the first several chapters.NU2SAX said:I have so many books at this point, including The Jazz Theory Book by Levine. I'll take a look at it.
See page 16 of The Jazz Theory Book. It's all right there.NU2SAX said:Ok, I think I might see - uh something. Does it have to do with, like in the example here, the fact that you might not want to go to the A scale because then you'd have a G#, whereas in the A Mixo mode/scale, the G is not sharp, as well as in the A7 chord, the 7th is lowered so no G# as well. Basically, A Mixo is more consonant because the share the same key?
Feel free to talk down to me - some of this stuff should be more obvious, but it's making me feel mighty dense at times. :? :!: