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However, after trying this for a bunch of years, I and others have found out that you need to approach each size sax as a unique instrument in order to get the best results. Fingering and articulation can basically be the same, but your embouchure needs to change for each size sax. Same thing with other doubles like clarinet.
Not only are there embouchure changes, there are voicing differences, sometimes they seem quite alien from one another. It takes time and practice to be able to manipulate your embouchure AND voicing to adapt to each instrument on the fly.
 
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