Some of the 10M's have underslung necks. I knew one guy with one and it was a burnin horn (owned by Bert Wilson). I think they made some of them in Mexico in the end.
Did you play it?
Did you play it?
I think we'd need to see photos or he gets a Conn expert to check it out in person. I still say leave it and look for a different horn. That's my tuppence worth.saxismyaxe said:It's unlikely that it is a replacement neck, as the underslung necks were double socket, where as all other Conn necks such as one might find on the standard, dreaded 14M/16M "Director" or "Shooting Star" models that are usually associated with Nogales AZ/Mexico are single socket. Quite an operation is needed to adapt one to the other, both the neck, tenon, and the octave mechanism.
I have never seen a Mexican made 10M, nor do most Conn historians believe this model was ever made outside of Elkhart. Are you certain of this?
What I find interesting is that, in all of my interests, be it saxophone or my other love, film music, things that only happened, say in the case of the N Conns, 1970, which is 'only' thirty-seven years ago, the information isn't readily available. Luckily we have great Forum people like Saxismyaxe to 'fill in the gaps'.saxismyaxe said:I have to confess that I was attempting to be a bit diplomatic in asking the rhetorical question "are you certain of this?", rather than declaring anyone wrong.
Although there are reports of a few spare parts Artist horns being assembled in Nogales C.1970/71 after the Elkhart facility closed, I am definitely of the opinion that Artist model production remained in Elkhart until the end.
Cheers.