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Maybe I'm missing something or there is something I don't yet understand, but isn't the solution to an instrument that plays sharp throughout to pull the mouthpiece out and make the instrument longer? If registers and octaves are out of tune with one another then there are other issues involved like input pitch, and the mouthpiece effective volume not matching that of the "missing cone".

I realize that on certain vintage instruments designed when large chamber mouthpieces were common, that modern mouthpieces that are longer with a narrow chamber have to be pulled out to nearly the end of the cork where they are unstable. In such cases the shank of the mouthpiece can be extended or a change in mouthpiece is in order.
 
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