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· Distinguished SOTW Member/Sax Historian
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Materials were the biggest part of any skilled craft job then. In the depression you would see men's coats and suits made into all sorts of clothing because the fabric was so much dearer than the labor to tailor it. Now it's just the other way around.
 

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Well, unemployment was awful high in 1936, so pay was pretty low even for skilled manual workers like those who would have been doing the bass sax overhauls.
my point was that bass sax playing (at least in dance and jazz bands) had passed its heyday at the end of the 1920s so a lot of horns just sat in closets for years. So I cant imagine much demand to overall or reven repair a bass sax (I suppose same could be said about C-melody repair as they were out of vogue long before 1936
 

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You know who was using bass saxes in the 30s? School bands. Almost exclusively.
I wonder, however, if there weren't a number of "hotel bands", playing the music of 15 years earlier, that would have been using bass sax too. You know, a 32 year old businessman and his wife might well want to go downtown to the Baker Hotel and dance to the music that was popular when they were 20 years old; i.e., covers of old Bix tunes and so on. In digging around about the life of Adrian Rollini it looks like his last recording on bass sax was around '36 or so. By 1936 the vanguard of jazz as preferred by aficionados and the young people who make trends had long since left the bass sax behind, but I bet there were a lot of older people still digging the older sounds and bands supplying it to them. This is the "underbelly" of popular music we don't hear much about, just like all the bands of 50 and 60 somethings today playing 3 chord rock and roll from the sixties and seventies in bars to 50 and 60 somethings. They're not doing anything new, but they're still out there.

Think how long Guy Lumbago, Les Brown, the Elgarts, and their ilk kept going, playing a repertoire largely from the mid 20s through the mid 40s, well into the 1990s.
 

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Many bands kept the 20s sound alive well into the thirties with, for example, soprano lead - and tenor band sound which came later - playing "society music; but very few employed bass sax which was mostly used a substitute for string bass and tuba but turned into a solo instrument by Rollini. In my old music collection there are pictures of bands in 1920s where the bass player alternates between all three
But was rare for the bass player to to play bass sax but most all had to double on string bass and tuba. The Lawrence Welk band is one of the latest bands to use a bass sax with the great Bill Page doubling on all the low reeds and can been seen with his bass sax on many of the shows.
 

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