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Discussion Starter · #22 ·
JfW said:
Fantastic Pics Jer!
I have a question: How does one 'hand burnish'?
thanks.
Use a hand burnisher tool, of course! :)
It's a highly hardened and polished tool that is rubbed against the metal to be burnished. They come in different shapes but this one is a typical flat burnisher. It looks like double edged knife with a very thick curved face.

I rubbed bit on a piece of raw brass sheet stock to show the effect. It brings up the shine by 'mashing' the high spots down. This tool can be used in dentwork and in smoothing down gouges and scratches without causing loss of metal.

When using it on a soft gold surface, the surface and the tool must be absolutely clean to avoid causing scratches.
 

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I am starting restoring now,
the only sax i could get my hands on though was an early Keilworth stencil, not great :( and a relacquer.

im gonna try restoring a proper sax soon,
what do you use and how do you sand blast?
 

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wow, beautiful ....

chu-jerry, in your first post, in the third picture, what is that smallish key (hole as the keys haven't been placed on yet) at the bottom just above the Eb hole/key that i don't see on modern horns???
 

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look on saxpics at any Conn, you will see that the pearl for E on the right hand stack is on an arm, not fixed to the pad cup, that arm when pressed closes that tone hole, i suppose it's for intonation, all Conns had that.
 

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Discussion Starter · #28 ·
RJRusso said:
wow, beautiful ....

chu-jerry, in your first post, in the third picture, what is that smallish key (hole as the keys haven't been placed on yet) at the bottom just above the Eb hole/key that i don't see on modern horns???
That is an alternate Eb key, sometimes called Eb tril key. I never use it for that purpose and many players and techs will disable the key and seal it closed rather than make the adjustments to make it work properly. But I find that sealing it closed detracts from the tone quality of the low F natural. The extra venting seems to give the F a fuller tone. So I always set it up to work as designed.

Bueschers from the same era also had this key.
 

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Discussion Starter · #33 · (Edited)
SearjeantSax said:
No offense, but I really don't want to turn this into a sandblasting discussion. I'd rather talk about saxophones, and generally speaking, I don't sandblast saxes. :)

If you really meant "glass bead blasting" like I mentioned earlier in the thread, then something like this is what you will need:

http://www.harborfreight.com/cpi/ctaf/displayitem.taf?Itemnumber=94274
 

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Discussion Starter · #36 ·
Done!

Muahahaa - It Lives!

Noj The Terrible said:
Hey Jerry,
...With an overhaul/restoration like this, how long does it take from start to finish? ...
Well, looks like two weeks for this one. I'd say about 100 hours - but I'm slow.

Played great right off the bench too. This one surprised me a little; the full range just flows right out - even the altissimo was easy for me and I can't play altissimo.

Just a few last things to do:
I need to replate the neck since its plating got messed up during dent repairs. Case needs cleaning, then this one's good to go.

 
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