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  1. Embouchure & Tone Producing Basics
    I had a great practice session yesterday. I spent an hour playing the minor second between low B-flat and low B like Steve Lacy advocated in the chapter Tight Corners of his book Findings. It was not boring at all. Loud/quiet, vibrato/no vibrato, tonguing/not tonging, etc.; it's all there in the...
  2. Tone Producing & Embouchure
    Hey, I was just wondering if anyone could help me with an issue I've been having with switching between mouthpieces and styles. First of all, I play a Cannonball Vitage Reborn alto. For classical I use a Selmer C* with Vandoren 3.5 traditional and for jazz I use a Dukoff D6 with 3.5 ZZ's. I...
1-2 of 3 Results