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  1. Baritone mpc
    My band director wants all of us in symphonic band to upgrade our mouthpieces. Seems I was the only saxophone to play on anything but stock (I bought a Rico Graftonite B5 for $20 a while back), but he wants us all to change. He says he can get a Bari C* for $180. However, I’ve had my eye on the...
  2. General Mouthpiece Discussion
    I have recently switched from a Yamaha 62 to a Selmer Super Action 80 Series II, and I have additionally switched mouthpieces. With the Yamaha, I had been using a Rousseau 4R, and with the Selmer, I'm using a C*. These mouthpieces are supposed to work better with these horns. While I do have to...
  3. Tone Producing & Embouchure
    Right now I am playing tenor saxophone with a Selmer C* mouthpiece and Vandoren V12 3.5 reeds. I want to know how to get a very good classical sound with this set up and if it is possible to sound pretty jazzy, and if so, how? I will appreciate everyone's tips. Thanks.
  4. Tenor mpc
    I have a couple of mouthpieces I received in a horn acquisition. I am wondering if they have any value. Any feedback is appreciated. 1 Selmer C* Metal (silver plated) tenor mouthpiece. Scroll Shank. Original Box, cap, and lig. 2 Dukoff P10 tenor mouthpiece. Miami Florida Original half...
  5. Baritone mpc
    So i'm in the market for a new bari MPC and i've narrowed it down between a C* and a C**. I don't know too much about how tip openings affect the sound or tone of the bari but I need some help. What are some stuff you like about the C* or C**?
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