Does anyone know the standard specs for the King Super 20 Silversonic Tenor (late 70s serial)? Including key opening size?
I got a great deal on a Super 20 however it's heavily modded (perhaps to fix intonation?). I'm looking to open it up and get the resonators taken off.
Recently I acquired a Selmer Soloist D for tenor, and I am absolutely in love with it. It feels really comfortable for me in both jazz and symphonic settings, whereas I used to switch between a Link STM 7* and an s80 C*. I'm looking to make a similar move for a soloist alto mouthpiece, but I am...
Hi great pals,
I am curious what tip opening of the link he had used in the video.
I'm about to order a refacing job for my STM that the opening is 6.
I've been a bari player for the past 5 years and am trying to pick up my alto again but am realizing that it takes me a really long time to adjust my embouchure from my .115" bari mouthpiece to my .70" alto. I'm trying to find a mouthpiece that is open to between .110" - .115" for...
Right now I'm playing on an Otto Link STM 7 for tenor, and I love the sound but I'd like to move up in opening. I'm looking to get an 8*, but I was wondering the best way to go about it. The table on my 7 isn't too good and I don't get a very good seal, and I don't want that to be...
Hi, I'm sure there is already a topic for this, but I sure can't find it very easily.
I was wondering what does the 5*, 5, 6, 6*, etc means on an mpc. I know that they are references for the openings or for the types of reeds (medium, soft, hard), but what exactly do they mean?
Also, what is...
(alto #6) seems to make my overall tone less bright, and make me play more in tune (don't have to push my mouthpiece all the way in like I did with my old #5). perhaps playing in the high register is a little more stable too.
anyone have any comments? is this just an individual thing? or...