I play with a gospel/funk/blues/smooth jazz type sound but I've been wanting to better understand the "outside" jazz sound.
I hear players move into this sound often......Here's a clip that demonstrates kind of the sound that I hear others getting but don't fully grasp the concept...
What should I play on a minor blues, you ask?
Quit your damn whining and check out this Eric Alexander transcription: a veritable how-to on the use of sequences, chord superimpositions, and the altered scale -- along with a few curveballs.
It's here on my jazz blog: Harder Bop.
As you know...