|   Sax on the Web   |    Links & Resources   |    Sitemap    |   SOTW Gift Shop   |

  SOTW Forum
Latest Active Forum Threads
Jazz & Improvisation forum
Rock & Blues Saxophone
Jazz Saxophone
Classical Saxophone
Beginner's Corner
Saxophone -
the Instrument
Vintage Saxophone

Selected Jazz Improvisation Books:

Thinking in Jazz
Thinking in Jazz:

The Infinite Art of Improvisation by Paul F. Berliner
Jazz Improv
Jazz Improv: How to Play It and Teach It
by Jimmy Amadie
Improvising Jazz by Jerry Coker
Tonal and Rhythmic Principles : Jazz Improvisation by John Mehegan
Jazz Rhythm and the Improvised Line Jazz Improvisation by John Mehegan
Vol. 3, The II/V7/I Progression: A New Approach To Jazz Improvisation (Book & CD Set) Jamey Aebersold Play-A-Long Series
A New Approach to Jazz Improvisation by Jamey Aebersold (Audio CD)
Jazz Improvisation by David Baker
Modern Jazz Piano : A Study in Harmony by Brian Waite

Sheet Music Plus Rock

SOTW Gift Shop

About Sax on the Web

Sax on the Web (SOTW) is a comprehensive saxophone site founded by Harri Rautiainen.
Created: March 5, 2002
Update: May 24, 2015

In Sax on the Web Jazz saxophone Series:

A Long Look At The Blues

Part 1

by Tim Price

Tim Price

Everyone loves to play the blues. In this lesson, I’ve taken an in-depth approach to give you all some information, new ideas, ear training, and fresh approaches to this form.

#1 is a favorite blues lick of mine by the great blues sax player Noble "Thin Man" Watts. It’s on a dominant 7th chord, and it’s a four bar phrase. Check it out! #2 is 68 blues licks and phrases in various keys, tempos, and styles.

Play through each "lick". Listen to how it sounds. Get so it just jumps out of your sax. Then… after you play through all of them, go back, and pick your favorites and start to learn them through all the keys. Try one lick a week to get started. Once you get into it, pick some more out that appeal to you and do the same. This can be a never-ending study; so take you time and have some fun.

Remember…the blues is a must to have together no matter what bag you’re playing. Many master jazz players are great blues players, e.g., Gene Ammons, Coltrane, and Sonny Stitt.

Many great rock sax players have strong blues roots. Listen to early guys like Lee Allen and Red Prystock.

OK—This should be some big fun… get started now.

See you next month—with Part 2!

Thank you,
Tim Price

click here
Following chart available as an Adobe Acrobat .PDF document, click here.
click hereThis chart available as an Adobe Acrobat .PDF document, click here.

click hereFollowing chart available as an Adobe Acrobat .PDF document, click here.
nextThe Blues (Part 2)

Tim Price is a Selmer Clinician, professional musician, jazz journalist and author. He teaches in New York City and Pennsylvania.
He holds a degree from the Berklee College of Music in Boston (1973 graduate). While at Berklee, he studied with Charlie Mariano, as well as with Andy McGhee, Joe Viola, and Nick Ciazza. After Berklee he studied saxophone and improvisation with Sal Nistico, Fred Lipsius, Jimmy Lyons, Ray Pizzi, Sonny Stitt, and Ronnie Cuber; flute with Harold Jones; clarinet with Kal Opperman and bassoon with Karen Borca.
Tim resides in Reading, Pennsylvania with his wife, Marcia. He can be contacted for clinics, master classes, private teaching, gigs, and concerts by e-mail. Visit Tim's web site.
All Rights Reserved. ©2002-2015 Harri Rautiainen and respective authors.
|   Sax on the Web    |   Sax on the Web Forum    |   Contact    |    Legal notice    |    Privacy Statement    |