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12-03-2007, 08:23 PM
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#21
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Distinguished SOTW Member/Forum Contributor 2008
Join Date: Nov 2004
Location: Quinte, Ontario
Posts: 2,657
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Quote:
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Originally Posted by sycc
Canadain that's a very sweet looking sax you have there!!!!!
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Thank you. Plays just as good as it looks. Not in my hands of course, but in the hands of someone who knows what they are doing...
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12-03-2007, 08:29 PM
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#22
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Forum Contributor 2007
Join Date: Sep 2006
Location: Austin, TX
Posts: 1,395
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satin silver body, burnished gold and silver engravings, burnished gold keys, gold wash bell..
That is a dream come true for me, I actually bought a Conn Chu alto just like this a week ago!
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12-03-2007, 09:00 PM
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#23
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Join Date: Aug 2003
Posts: 249
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Quote:
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Originally Posted by bbbouklas
satin silver body, burnished gold and silver engravings, burnished gold keys, gold wash bell..
That is a dream come true for me, I actually bought a Conn Chu alto just like this a week ago!
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Congrats on the Chu. Those are great looking horns.
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12-03-2007, 09:02 PM
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#24
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Join Date: Sep 2007
Posts: 691
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Plain lacquered brass, thanks.
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12-03-2007, 09:24 PM
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#25
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Join Date: Jun 2007
Location: Rhode Island
Posts: 155
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My preferences:
no lacquer (or clear so you can see brass), body and keys matching, little to no engraving.
I'd spend 0$ to get the look I prefer.
However, I like to look at everyone else's lacquer saxes!
Always appreciate them.
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12-03-2007, 09:57 PM
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#26
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Join Date: Apr 2007
Posts: 4,207
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Nice finish Canadiain.
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12-03-2007, 11:23 PM
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#27
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Join Date: Feb 2003
Location: Northern VA
Posts: 1,839
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Bare brass (no lacquer).
The uglier, the better.
__________________
A horn is only as good as the person playing it. -- BJK
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12-04-2007, 03:36 AM
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#28
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Seeker Of A Clever Title.
Join Date: Jul 2007
Location: Sunny, Sunny, California
Posts: 4,470
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1. Satin Gold
2. Satin silver with gold highlights and bell
(too bad thay don't make these anymore)
3. Really dark worn looking less than 50% lacquer
__________________
Buescher curved soprano silver plate 147XXX high F(1924)/Caravan mpc/Vandoren blue box 4
Buescher Aristocrat 140 silver plate (1950)/Buescher mpc/vandoren blue box 3.5
Buescher Aristocrat tenor (1938)/Buescher mpc/vandoren blue box 3.5
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12-04-2007, 03:39 AM
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#29
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Join Date: Apr 2007
Posts: 4,207
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[quote=zxcvbnm]2. Satin silver with gold highlights and bell
(too bad thay don't make these anymore)
Saxophone.com, and I think that keilwerth can make them like that, if you want them to, and have the means. I know that they have the satin finish, but I also heard that you dcould get them to customize it? Possibly.
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12-04-2007, 03:47 AM
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#30
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Distinguished Member and Forum Contributor 2009
Join Date: Feb 2006
Location: Fredericksburg, VA
Posts: 5,577
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Goldplate. It doesn't really look that different than lacquer (unless it's sandblasted or something), I just like the idea of it.
__________________
Soprano: Grassi Pro 2000, Morgan 2C, FF Lig.
Alto: Grassi Pro 2000, Morgan 3C, FF Lig.
Tenor: Grassi Pro 2000, James Houlik Mouthpiece, FF Lig.
Yeah, all my horns are Italian. You got a problem with that?!
RIP Ralph Morgan
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12-04-2007, 03:58 AM
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#31
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Join Date: Feb 2005
Location: Adelaide Strayllia,
Posts: 1,183
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This one
Satin gold plate with burnished gold plated keys and no engraving
__________________
I just changed Jobs so I wont be around much anymore
Have fun and play nice
Last edited by Bernards20040; 12-04-2007 at 09:28 PM.
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12-04-2007, 11:27 AM
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#32
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Distinguished SOTW member/musician/technician
Join Date: Jun 2003
Location: Jerusalem, Israel.
Posts: 2,315
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Quote:
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Originally Posted by Dr G
Heavy silverplate on body and keys - no engraving
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Same here. Looks best IMO and doesn't draw unecessary attention, lets the music do that (which could be good or bad of course  ).
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12-04-2007, 01:26 PM
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#33
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Join Date: Sep 2007
Location: Netherlands
Posts: 205
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Quote:
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Originally Posted by clarnibass
Same here. Looks best IMO and doesn't draw unecessary attention, lets the music do that (which could be good or bad of course  ).
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Yes, if only the looks are concerned, heavy silver plating without any unneeded decorations would be best for me.
__________________
Martin Indiana alto (1958), Runyon 22
Martin "The Martin" bari (1956), Meyer 7M
Buffet Crampon RC Bb clarinet (1982), Vandoren V45
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12-10-2007, 03:41 AM
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#34
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Join Date: Feb 2003
Location: Seattle-Tacoma WA USA
Posts: 268
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In order: silverplate, bare brass, matte finish.
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12-10-2007, 04:35 AM
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#35
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Distinguished SOTW Member/Forum Contributor 2008
Join Date: Nov 2006
Location: Vancouver Island
Posts: 895
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I know what my favorite ISN'T: When I bought my alto the previous owner had had a bad relacquer job done on it. It looked like the horn had been clumsily sanded down, as the abbrasions were (and still are) visible. High polished mostly, except in difficult to reach places where it seems no effort had been made to reach. Clear lacquer had been sloppily applied with several drips solidified into the finish, the biggest drip running from the 12:00 center lip of the bell right down inside. It looked tragic.
And now my favorite: I recently had an excellent and trustworthy tech chemically strip the crappy lacquer off the horn, leaving the brass in its natural state. It has been slowly darkening over the last few months, and looks more beautiful every time I open the case. Having a horn I'm not embarrassed to be seen with has actually been good for my alto playing - I take it with me more often.
My vote goes to unlacquered
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12-10-2007, 04:37 AM
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#36
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Mouthpiece Refacer Extraordinaire and Forum Contributor 2009
Join Date: Jun 2004
Posts: 4,080
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My favorite sax finish is probably a high E if playing gospel music. Low E for an expressive ballad.
__________________
www.EZmpc.com - Professional Refacing Services and Custom Mouthpieces
TweEZer! status reports, mouthpiece alerts, random thoughts...
“Opinions are like embouchures.” - EZ
Balloon Boy Science
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12-10-2007, 05:16 AM
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#37
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Join Date: Jan 2005
Location: California, between LA/OC counties
Posts: 834
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Bare brass all the way.
Wouldn't pay any extra for it, I can buy a lacquered sax and strip the lacquer off myself.
__________________
“Common sense is the knack of seeing things as they are, and doing things as they ought to be done.”
-C. E. Stowe
I work alone, I play alone. I'll take the criticism, you can keep the glory.
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12-12-2007, 01:43 AM
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#38
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Forum Contributor 2008
Join Date: Apr 2003
Location: Washington DC
Posts: 1,642
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I love my satin/matt nickel silver tenor.
Then I ordered a soprano in black nickel and I have to admit that grew tired of the looks very fast. All I want for future horns is a bare brass horn with a nice engraving (I never understood why so many want horns without engraving. They look like "blanks" to me that have never been finished).
__________________
www.mouthpiecemuseum.com
Tenor: Barone bare brass + Florida Link 7*
Soprano: Barone tipped-bell + Morgan "Vintage" HR mouthpiece
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12-12-2007, 01:59 AM
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#39
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Join Date: Aug 2003
Posts: 249
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Quote:
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Originally Posted by EZ
My favorite sax finish is probably a high E if playing gospel music. Low E for an expressive ballad.
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Man that was just wrong. Don't you know what w're talkin bout? Gospel is in Bb and F COMON
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07-27-2008, 01:04 PM
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#40
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Join Date: Jun 2008
Posts: 68
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Re: What is Your Favorite Sax Finish?
I really never digged the shines...
I like the brushed or antiqued finish like the Kessler's or P. Mauriates. Green pearl keys touches. maybe over black- nickel sot the engravings are blacked like and antique feel.
or black nickel body w/ brushed brass inside the bell and w/ gold keys. black pearl key touches. gold engravings.
__________________
 When choosing horns its almost comparative to Harry Potter when he choose his wand... When an player and the horn unites and its right, there will be a fair amount of chemistry that only you will feel.
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