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View Full Version : Played tested the Jupiter 2069 Alto


Lairmon
07-15-2008, 01:28 AM
I had been looking for specific info on the site (SOTW) about the new Jupiter alto and the internet but have not found any reviews...thus I think this review might be useful to some people. I believe some people call the new Jupiter Pro line the "XO" model. I checked one out today at a local music store and found it labeled 2069 model. Jupiter states that the horn is partially hand made, the bell and some other parts being "hand Hammered" I think. This one is early in the run of these horns as it was marked 365....no XXX if you know what I mean. In the U.S. I noticed there're marketing them to sell just under $2,000.00, the price at the store I test ran one was asking about $400 more bucks than that.

I have a MKVII alto I'm pretty happy with, I actually traded a pretty good MKVI for it(!) but curiosity gets to me and I like to see whats out there. The Jupiter had just been taken out of the plastic and so had not been setup by a tech. I noticed it was missing a screw on the part (clamp?ring?) that holds the bow to the body of the horn. That bodes ill....

The Jupiter visually looks pretty good, though the engraving is a little light. The layout is pretty comfortable, ergo wise, but it did feel strange once I started playing in terms of my left hand. The palm keys are rather prominent so my left hand fingers felt further down to reach the main keys. The Eb/C also felt a little odd, though not bad, the left cluster was nice. As I'm coming from the ergos of a MKVII you have to put some of that down to just a difference in familiarity. I have had my VII altered a bit to play more like a MKVI though. I had my tech build up the low Bb so its not a stretch, and move the Eb/C combo up a little for my right hand pinky.

My initial reaction to the tone was favorable. It wasn't to bright or thin sounding, but instead was rather neutral in terms of bright/dark. I was using a Morgan 6M and Alexander DC strength 3 for my mpc set up. I did my usual warm up consisting of long tones and some overtones to warm myself up and get more time to get used to the horn.

Despite the full warm up I noticed the horn was fairly resistant. In its current condition (not set up) it was a little hard to blow. The springs action was very heavy as well. Some may not have minded that but I tend to like my horns with med-light tension.

As I continued playing some technical stuff the tension of the springs was increasingly uncomfortable. The tension of the springs can be lightened up by a tech to suit the players likes.

More disconcerting though was the intonation of the horn. I had brought my tuner along so I could get a second opinion on its intonation tendencies. It had all the usual week spots of a saxophone. Low D was flat, second E was sharp and the upper range was generally sharp. The best altos I've encountered for intonation was a Yamaha Custom (855 model) then my other Yamahas I used to own, a 62 and a Custom Z. My Selmer MkVI was pretty good with my current VII being just a little more challenging. Other vintage horns I've had we're actually pretty good too...a Conn 6M and Buescher Aristocrat.

To give the store credit when I mentioned these things to the Manager he called up the stores Sax tech to do some work on it. They packed the Jupiter up before I had even left the store to get the work done. I'll go back and try it out in a while and see if the horn improves in the various areas discussed.

I hope this basic review is helpful.

BeyondSax
07-15-2008, 01:43 AM
Lairmon:

I am a bit surprised by your report on the intonation of this horn. I have purchased two 969s in the past three years and found the intonation to be spot on. Will you try it again after setup?

Lairmon
07-15-2008, 06:51 AM
Hello Beyond Sax,

Yes, I will try it again to see what difference the tech might have made.

I had also recently played a 747 Jupiter Soprano at this same store that was pretty good. It didn't have the rich complex sound I'm looking for, but it was still a good soprano for the money. I'm on a bit of a Soprano hunt I think, due to recently trying my Tech's older Yamaha 62... I was pretty impressed with the horns response and sound quality.

Lairmon
07-17-2008, 09:19 PM
Has anyone else tried the new Jupiter Pro Saxes? If so, what's your take on them?

Lairmon
07-24-2008, 04:55 AM
I went in today and took a second try at the Jupiter XO model alto. They had it off to the tech and it was definitely playing better as a result. The resistance I had felt before was resolved; the horn had the right amount of resistance and had a full sound its whole range. It had that "tingly" feel that I like in a horn and the action was even a bit lighter. Having said that though...something didn't quite feel right in my left hand. That could have just been a pad or two sticking though. I'm pretty picky when it comes to the action on a horn.

There were still challenges a little bit with intonation. The culprits were the low D and second E. Low D being flat, the E being sharp. I guess raising up the bumper on the low C might help the low D, not sure if anything could be done with the E. It wasn't that bad though...one could relax the lip a bit and deal with it that way.

The tone leans towards the bright side but it is an exciting blow that doesn't sound to edgy with my Morgan 6M. I didn't notice it thin out at the top as I've noticed other altos do. I have only played the Jupiter alto in this one big room at the store though, so I would want to hear it in a different environment to be sure about tone.

I'm glad I went back to give it a second try. I don't know if I'll rush off to sell my Alto in order to buy the Jupiter, but it would be a definite horn to consider in its price range. I hope this review is helpful.

saxpiece
08-11-2008, 03:02 PM
About this intonation thing that keeps popping up, I have a old Jupiter from 1991 and a old Yamaha YAS-21 and the intonation is just about the same on both horns. Manufacturers don't just guess where to put the tone holes for intonation, the toneholes are put in finely measured positions for the best overall intonation and any intonation or stuffiness issues regarding keyheight can be adjusted. http://www.cybersax.com/QA/Q&A_Intonation.html

Most intonation problems are players using their old horn intonation technique (or poor technique) on another horn and if that horn is Taiwanese or Chinese then it's the horn that's at fault but if the horn is a Selmer Mark VI then it's not the horn that's at fault.

http://www.petethomas.co.uk/saxophone-comparisons.html

Lairmon
08-11-2008, 09:15 PM
I've just pointed out how the Jupiter alto was for me in regards to that particular horns intonation. To sum up on that; Yamahas have been the best for me in terms of easily achieving good intonation, though mileage did vary with what particular Yamaha horn I was using.
I've owned other vintage altos that actually were pretty good intonation wise but would pick the Selmer MKVI alto I had and my current MKVII in terms of tone and overall ergos. My MKVII takes a bit more work to play in tune than my VI but I really like the sound I get with it.

Now that I think back about it, my Yamaha YAS62 (alto) that I owned and played for some years had the same tendencies to be flat on the low D and sharp on E two. I figure this happens with a lot of altos, some more than others.

In terms of the Jupiter Alto sax, I've only played it twice in the music store, the first time it needed some setup help, then play tested it again after setup help. I'm reasonably confident that the intonation challenges would be over come in a short period, but wanted to point out that it didn't play perfectly in tune right away for me. Mileage may vary for other people with other set ups and background. I was curious about Jupiters latest model, the 2069 XO Alto and so went and play tested it.

I am a tenor sax player first, alto sax isn't my strongest horn, but I did do a Masters in Performance on the Alto about 14 years ago. I play professionally and teach private lessons from beginning to advanced level students. I wouldn't claim to be a "monster" player and have every aspect of the sax mastered (despite the Masters); but at the same time I'm a pretty experienced player.

I've owned a Phil Barone gold plated tenor that was made in Taiwan that had good intonation so I don't tend to dismiss a horn because of where its made.

Kareeser
09-28-2008, 05:35 AM
I appreciate your review, Lairmon :)

I'd love to give that horn a try for myself, and see whether the keys would be a better fit for my hands, since I've been playing on a Jupiter for quite awhile...