D# and G#

[IgLoO]

This seems to be the best place to post this question.

Ever since i was taught what the notes D# and G# were, i was taught to hold the keys down when in a key with 4 sharps, that way you don't have to worry about it. This really helps when sight reading or in a fast passage with alot of sharps. I was wondering, however, if it was a bad habbit to get into/have, and if i should work on trying to only push those keys down when i get to the note, or if it didnt matter or if it even was a good habbit to have.

[ThunderWhale]

I'm no expert, but I think that's probably not a good habit to get into. Just keep practicing scales/arpegios/thirds/etc.. for the key you're working with. You fingers will develop muscle memory, and naturally press those G# and D# keys. Do not hold them down, that's most likely probably not something you want to continue to do.

[kavala]

The D# is often held down on flute to support the body when
playing open positions in the right hand.

I do what you suggest for particular pieces.
I seem to recall something like this in the 1st tnr part of
Glenn Miller's 'In the mood', helps a lot to play the notes
more smoothly.

[tensopbass]

Absolutely no reason not to. Modern manufacturers go to great lengths to link and detent keys. Just learn how far it works, G# on my Keilwerth, can be used only below A, etc. I don't use a neckstrap on alto or sop, so I hold G button for support on open C# I agree with "in the mood". Releasing the G key turns an F# into an A.
It's your horn and your method. If it doesn't affect pitch then do it.
nicko