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Tim Price is a Selmer Clinician, professional musician, jazz journalist and author.
He teaches in New York City and Pennsylvania.
He holds a degree from the Berklee College of Music in Boston (1973 graduate). While at Berklee, he studied with Charlie Mariano, as well as with Andy McGhee, Joe Viola, and Nick Ciazza. After Berklee he studied saxophone and improvisation with Sal Nistico, Fred Lipsius, Jimmy Lyons, Ray Pizzi, Sonny Stitt, and Ronnie Cuber; flute with Harold Jones; clarinet with Kal Opperman and bassoon with Karen Borca.
Tim resides in Reading, Pennsylvania with his wife, Marcia. He can be contacted for clinics, master classes, private teaching, gigs, and concerts by e-mail.
Visit Tim's web site.
Tim's gigs and events
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Jazz Saxophone Lessons
with Tim Price |
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I am very pleased to announce Tim's newest contribution to Sax on the Web:
 Saxophone Necessities - Basic Skills That Are A Must for all saxophonists
This is a great article and an excellent summary of many Tim's preceding lessons on SOTW and should be required reading before going to more detailed
lessons below.
Enjoy,
~ Harri Rautiainen |
Earlier Jazz Saxophone Studies:
- Ear Training on Chord Tones - Phase 1, 2, 3, 2004
- Solo Sax Arrangement on "Happy Birthday", June 2004
- Dom7 Chord Line using Your Ear, November 2003
- Double Tonguing on the Saxophone July 2003
- Major Thirds Moving In Whole Step Motion, July 2003
- Bird-ology phrase study on "Ko Ko", July 2003
- Rootless Major Chord Shapes - Bird-ology Study "Now's The Time", April 2003
- Blues Scale Matrix on II-V Jazz Lines, December 2002
- Analyzing Tunes, November 2002
- II-V-I Patterns: Starting on the Tonic of the II Minor 7 Chord.
This lesson in seven parts: | 1 | 2 | 3
| 4| 5
| 6 | 7 |, August 2002
- Book Review: Practice Like the Pros by Sue Terry June 2002
(Sue Terry's SOTW article: The Secret of a Good Sound with a foreword by Tim Price, July 2002)
- Rhythm Changes May 2002, to be revised
- A Long Look At The Blues (Part 2) April 2002
"Everyone loves to play the blues. In this lesson, I've taken an
in-depth approach to give you all some information, new ideas, ear training, and
fresh approaches to this form."
- A Long Look At The Blues (Part 1) March 2002
- Melodic Improvisation August, 2000
- Major Triads Sept. 2000
- Minor Triads Oct. 2000
- Dominant 7th Nov. 2000
- ii-V7 Cord Change Dec. 2000
- 2-Bar Phrase Major Chords Jan. 2001
- Post Bop study on Blues Feb. 2001
- Bebop Idea Through Maj7th March 2001
- Minor Exercises - Whole Step April 2001
- V7 Through Cycle of Fourths May 2001
- Dominant 7th Madness! June 2001
- I - VI7b9 - IIm - V7
Change July 2001
- Minor 7b5 to Dominant 7b9 August 2001
- 2 Bar II-V Phrases - via
Entire Range of the Sax September 2001
- Chord derived from 2nd Step - Jazz Melodic Minor Scale October
2001
- Bird-ology Studies to Improve Time, Phrase Lengths, and Intensity Levels November 2001
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www.saxontheweb.net
Created: September 25, 2004.
Update: March 6, 2006. |
© 2004-6, Harri Rautiainen and respective authors
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